Based on the 1950s novel by Patricia Highsmith, Craig Warner has
breathed new life into this classic story.
The Grand Opera House, York staged Strangers
on a Train from the 5th – 10th March 2018 where the scenery also played a
leading role in the production.
The
play opens, as you might expect, in a train carriage. Guy Haines (Jack Ashton)
is reading Socrates by Plato and is
repeatedly interrupted by whisky-swilling Charles Bruno (Chris Harper). Both
the book and hip flask play important roles too. Bruno's (bottomless) hip flask
keeps the strangers topped up and Architect, Haines, tells Bruno that he is on
his way to Metcalf in Texas to expedite his divorce from his wife so that he
can marry Anne Faulkner (Hannah Tointon).
Bruno
believes that they can help each other, and at the same time, get away with
murder – Bruno wants to be rid of his father, and Haines his wife. The scene
ends when they chink their glasses and agree to do the deed for each other.
The
scenery then takes centre stage and moves into place depicting the frontages of
buildings that slide open to reveal different rooms in different houses and
offices. Video footage is played onto them to create a greater sense of place.
There is even a moving stairwell and an old locomotive. Each tableau moves the
story forward into the next scene.
Whilst
Guy Haines is enjoying time with Anne she receives a telephone call, which
leaves them both stunned – Haines's estranged wife has been murdered.
Charles
Bruno is a rich alcoholic with an abnormal fondness for his mother and a
growing attachment to Haines, suggesting that he is also gay. Each scene depicts the manipulation, blackmail, and
manoeuvring of Haines by Bruno to get him to reciprocate and kill his father
and Bruno grows more and more deranged. Haines is bullied and becomes
visibly oppressed.
Act two is driven by the arrival of Arthur Gerard (John Middleton) – a
private investigator employed by Bruno's father, and then his mother after her
husband is murdered.
There are a few humourous moments to lift the sinister ones, usually
where Frank Myers (Sandy Batchelor) is involved. Gerard finally confronts Bruno
when he resolves the mystery of his father's death.
The scenery slides away for the final scene, which sees Haines and
Bruno, who Haines refuses to call Charles, in a deserted engine yard. All is
resolved – or is it? Will Haines slide even deeper into purgatory?
The cast, along with the remarkable scenery, draws the
audience in from the start.
Chris Harper, (Charles Bruno) is quite scary as the manipulative
closet-gay, alcoholic psychopath with an
uncomfortable, abnormal affection for his mother.
Jack
Ashton, (Guy Haines) who for me was the outstanding star of the show, portrays
a man sliding deeper and deeper into an unwanted nightmare. (** see news
below.)
Helen
Anderson, (Elsie Bruno) brilliantly portrays the doting mother and Hannah
Tointon, (Anne Faulkner) is irritating and outstanding in equal measure.
John
Middleton, (Arthur Gerard), Charles’s father’s best friend and detective,
fathoms out the relationship between Guy and Charles and his analysis and confrontation
with Charles drives the conclusion.
The
American accents were excellent and carried impeccably throughout the
performance (although I swear John Middleton's had a slight Yorkshire twang).
**Jack Ashton will be running in the London Marathon in April for CALM
(Campaign Against Living Miserably) dedicated to preventing male suicide, which
is the biggest killer of men under the age of 45 in the United Kingdom. To
support Jack and read more about this charity please go to:
https://uk.virginmoneygiving.com/jackashton